PRESENTATION AND DESCRIPTION OF PHYSICS
Later the advances of Don Rodrigo, the presentation of the Unnamed is the cap. XIX: "... a terrible man. We can no longer say he's neither the name nor the name or title, and even a guess on any of this. [...] A man who, being of 'first among the big city, he established his residence in a country located on the border, and there, making sure to force crimes, held at all the reviews, the courts, the judges , sovereignty, led a life quite independent of forusciti fence, foruscito time too, then returned as if nothing had happened [...]. Do what was prohibited by law, or prevented by a any force, be judge, master in the affairs of others, certainly interesting that the taste of command, to be feared by all, he had his hand from those who were used to it by others, and these were at any time the principal passion of this man .... "
psychological portrait
The Nameless is one of the most psychologically complex and interesting figures of the novel. Figure historically existed, but receives from Manzoni artistic reworking of an autonomous life and an inner coherent and complete. The drama of the Unnamed it runs throughout the interior of his spirit, and was followed in its beginning and its development, with a keen eye and inquisitive, which moves through the maze of the soul. The character of the representation made by the author, do not turn from the beginning, as the evil despicable and repugnant, that very large collection that fear causes the crowd to make way respectfully as he passed, inspires awe rather than disgust. It preserves, in its position of "rebel", something regal and majestic, like someone who has created, even on conditions of violence, its own law, and reached through the immunity produced by the force, its own freedom. The man who is free from restrictions, courageously defends an extreme case even unjust, always arouses a feeling that if you can not call admiration, he very similar. The Nameless is great even worse, than a lot of the little tyrants of the evil race of Don Rodrigo. Only in a similar spirit, untied to any compromise, unable to middle ground, an internal crisis can lead to a radical transformation: he is fully an individual. When he makes his entrance in the novel, this crisis has already begun, and is still unconscious in the form that have long felt for her life, full of innumerable iniquities committed only: anxiety, disgust, discomfort, which will gradually popular consciousness during the night. The crisis touches the depths of despair, but the thought of the afterlife, the thought of God ("And ... if there is this other life ...! "), and more to Lucia's words (" God forgives so much for a work of mercy! "), determine its resolution. That dell'Innominato is therefore not only a crisis of mere sentiment, but also a crisis of thought, a logical crisis. Some critics, citing an article in the Council of Trent, which noted that the commencement of the ordinary man is justified by the fear of hell, "say that the 'Unnamed had converted out of fear of punishment, but other more probably argue that he converted out of fear of a trial before the Lord, not for fear of sentence which follows this opinion. It is always the idea of \u200b\u200bGod, the eternal Judge ("I am, however), which troubles his mind.
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